Dust of the Desert — Edition Insights

a had come to be known as Sonora, in Mexico, and Arizona in the Republic of the North. The Road of the Dead Men at its California end became a way through green and watered valleys where bungalows mushroom overnight; along its course in southwestern Arizona and northern Sonora it lapsed to a faint trail from waterhole to waterhole of a heat scourged desert. To-day this forgotten remnant of a high road of adventure and hot romance exists a streak in an incandescent inferno of sand and lava slag, wherein death is the omnipresent fact. Occasionally a prospector putters along its dreary stretches, chipping at ledge and rimrock. A Papago or a Cocopa creeps over caliche-stained flats with baskets of salt from the Pinacate marshes near the Gulf.

That is all. The Dead Men hold their road inviolable. It is dust of the desert.

That is all, did I say? No, the spirit of romance and the shape of illusion have not completely passed from El Camino de los Muertos. Remains that tale which carries itself over a span of a century and a half, linking lives of the present to lives of men and women whose very graves long since have passed from sight of folk. A tale strangely like the desert trail along whose course its episodes of hot passion and swift action befell; for its beginnings are laid in a mirage of an elder day which we of the present can see but dimly, and its ending is beyond the horizon of to-day. Would you know the full story of the Lost Mission de los Cuatros Evangelistas: how the baleful spell of its green pearls of the Virgin worked upon the fortunes of the House of O’Donoju and how the last of that house wrought expiation for the sin of a forbear through heroism and the fire of a great love--would you know the full story, I say, you must see with me the substance of a beginning.

No more can one plump into the middle of this the last of the romance tales of the Road of the Dead Men than could one drop onto the Road itself midway of its length.

A King in Spain once followed a practice of careless munificence. Whenever one of his generals in the great wars appeared worthy of reward His Majesty used to ink the ball of his thumb and with a grand and free gesture he would make a print somewhere on the map of Mexico, then called New Spain. Then the lucky general, taking this patent of royal favor across the seas with him, would hire surveyors to translate the print of Philip’s thumb into terms of square miles of domain. These square miles were his and his heirs’ to govern like little kings, with justice in their hands, the Church to give them countenance and Indians by the hundreds to serve them under a modified code of slavery. No man has lived since as did those magnificent possessors of Philip’s thumbprints.

The Rancho del Refugio in the little known reaches of Papagueria was one of these fiefs of the king. Michael O’Donohue, a wild man of the red Irish who had fought English kings and queens under the banner of Spain, had come by the grant originally and had taken a lady of Granada to the new world to bear him heirs worthy of their inheritance. Michael O’Donohue became Don Miguel O’Donoju, lord of a desert principality and a power at the Viceroy’s court in the City of Mexico. He established two rigid precedents to be followed by the house of O’Donoju: pride of race and jealous conservation of the family principality. It became a rule of the O’Donoju that none of the clan marry outside the pure Castilian blood--Irish excepted if Irish could be found; and a rule that, come what might, no O’Donoju pass title to so much as a foot of the Rancho del Refugio.