Lochinvar: A Novel — Reading Notes

Claverhouse had brought all the way in his saddle-bag from Robin Rae's, the periwig-maker in the Lawnmarket, the last time he rode to Edinburgh to consult with the Lords of the Privy Council.

Now, what Alisoun Begbie watched behind the rosebushes was this:

She saw the under-gardener, "Lang Wat o' the Glenkens," as he was called about the house, in close and kindly converse with Mistress Kate McGhie, the only daughter of the house and heiress of her father's wide estates. She had come, a tall and graceful maid attired in white, lightfoot down a shady garden-path, the sunshine and the leaves together flecking her white dress with wavering shadows, her dark, shapely head thrown a little back, her chin tilted somewhat defiantly in the air, and her broad summer hat a-swing in her left hand. Fitfully she hummed a tune, but whenever she forgot the words (which was very often) the song dropped, and, without the least break of continuity, proceeded on its way as a whistle. And in either case the sounds proceeded, so thought the under-gardener, from the prettiest and most appetizing mouth in the world.

Indeed, as soon as Mistress Kate came within hearing distance of him, Lang Wat promptly swept his broad bonnet from his head in salute, and told her so. Which, when one thinks of it, was a considerable liberty for an under-gardener to take.

But the lady received the compliment not amiss, being to all appearance neither elated nor astonished. Was she not Kate McGhie of Balmaghie, and had she not been accustomed to be told that she was beautiful as long as she could remember? Consistent and continuous admiration had become familiar to her as the air she breathed, and had done her as little harm. It seemed to Kate as natural that she should be assured that she was winsome as to be told that she had a good appetite. And the information affected her equally in either case. Since her very tenderest years there had been but one dissentient voice in this chorus of universal love and admiration--a certain small boy from the Glenkens, a laird's son, one Walter Gordon of Lochinvar, who had come to the house of Balmaghie on a visit with his father, and had enshrined his dissent in a somewhat memorable form.

For, by the common bruit of the country-side, the girl had been denominated--while yet but a child with great hazel eyes that promised dangerous things, and a tossing fleece of curls--the Pride of Balmaghie. And the maid herself, when asked her name, was accustomed to reply frankly:

"I is little Kate McGhie-- What everybody loves."

But this same Gordon lad from the Glenkens, scornful in the pride of half a dozen years of superior age, never heard the phrase without adding his own contemptuous disclaimer, "Little brute, _I_ don't love her."

Nevertheless, the time came when the scorner recanted his renunciation. And that time was now, under the garden trees of the house of Balmaghie and the jealous eyes of Alisoun Begbie. For "Lang Wat o' the Glenkens," under-gardener to Roger McGhie of Balmaghie, was none other than Walter Gordon, the young laird of Lochinvar, fallen into ill-odor with the King's government--both in the matter of the wounding of my Lord of Wellwood, and as being suspected of companying and intercommuning with the wild Whigs of the hills. For the times bore hard on all such as were of doubtful loyalty, and fines and confiscations were the least those had to expect who refused to side openly with the blusterous riders and galloping compellers of the King's forces. The blaze of muskets in face of a stone wall, the ever-busy rope in the Grassmarket of Edinburgh (where during two brisk years of the "Killing Time" the hangman needed a new "tow" every month from the Town Council, and the pay of an additional assistant whenever "he was overthrong with the hanging of so many Westland men")--these and other symptoms of troublous times sent many well-disposed and innocent folk into hiding.

But it was not alone the superior advantages of Balmaghie as a hiding-place which had brought Wat Gordon of Lochinvar thither in search of shelter. It might rather be the sweeping, darksome under-curve of Kate McGhie's eyelashes, and the little specks of light which swam and sparkled in the depths of her hazel eyes, like the shredded gold in that rare liqueur which John Scarlett, the famous master-at-arms, had brought back with him last year from Dantzig.