The Paladins of Edwin the Great — Key Ideas to Explore
Edition facts
The catalog record for The Paladins of Edwin the Great — Key Ideas to Explore provides practical reading context through 71,574 words, 5 hr 12 min estimated reading time, and 8 detected text sections.
The text analysis averages about 19.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Great Britain -- History -- Anglo-Saxon period, 449-1066 -- Fiction,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Edwin was a man of great ability, it must be conceded, but this will not account for the introduction of measures so at variance with the ideas and habits of the governments of the Heptarchy at that time. One explanation covers all the ground. It is quite possible that, owing to a very extraordinary combination of circumstances, certain countrymen of Edwin may have had rare opportunities of visiting the distant regions of the then known world, of studying many things in many climes, and that, after years of absence, they may have returned home. Surrounded by such men as his friends and ministers, the history of his reign is made perfectly clear. A hint here and there even enables us to guess who some of these great men were. History, in that age, usually gives us a mere skeleton. Bede, fortunately, in the case of the illustrious Northumbrian Bretwalda and his people, gives us much more, but not nearly enough. Following the venerable historian closely and exactly, it is not an unworthy aspiration to fill up the blanks, and to present these workers in the making of England as living and moving beings. Even we, at this distance of time, may owe them something. All the seeds that they scattered so perseveringly and so earnestly, and with such loving care for their country and its welfare, cannot have fallen among thorns or on rocky ground. It is such considerations which have given rise to this attempt to tell the strange and romantic story of the Paladins of King Edwin the Great.
The sacred ash tree spread its wide leafy branches over the court of the Stillingas. On one side of this court was the long hall, built of timber, with quaintly-carved joists and gables, on two others were the barns and cattle-sheds, the whole being surrounded by a stiff quickset hedge concealing the view of the open country. This ash was not only sacred from its size and antiquity, and as an emblem of the ash tree of _Yggdrasil_, but it also had an elf hole through which children could be passed, a peculiarity possessed by no other ash for miles around. Six children were dancing joyously round the tree one bright summer afternoon 1300 years ago, and making the whole place resound with merry laughter. The eldest was twelve years of age, a sturdy, straight-limbed boy named Coelred, the eldest son of Seomel, the warrior chief of the Stillingas. He had blue eyes and a sunburnt little face, with masses of brown hair falling over his shoulders. His brother Porlor, two years his junior, was a bright child with a dreamy, thoughtful look in his eyes when at rest, and a strong little frame fit for sustained work even at that early age. Their companion, Hereric, numbering the same years as Porlor, was an inch taller, and his hair was golden and glistened as the sun's rays rested on it. He was a young prince, son of the warrior Elfric, the brother of Ella the king of Deira. His little brother Osric was only three years of age. The four boys had two girls for playfellows--Bergliot, the golden-haired princess, aged six years, and Braga, or Bragaswith, the little sister of Coelred and Porlor. Ella, the king, lived at Aldby with his queen and his daughter, the princess Alca, aged sixteen, and the new-born prince Edwin, the hope of Deira. Elfric was established at the Aldwark, the remains of the imperial palace within the walls of Eburacum, or Eoforwic (York), as the English then called it. But he was a widower, and his children were generally at Stillingfleet, under the care of the gentle wife of Seomel, the British lady Volisia. Elfric himself was also a frequent visitor, to consult with Seomel, his friend and companion in arms, over the affairs of the frontier.
Markham opens The Paladins of Edwin the Great with a preface that reads like a lecture on Anglo-Saxon settlement, detailing dates, dragon ships, and the migration from Angeln. This scholarly tone gives way to a story that begins in Stillingfleet, a Yorkshire village, where the narrative pace is unhurried, focused on domestic life. But the kidnapping of Porlor and his companion by sea-thieves, illustrated in the frontispiece, signals a sudden lurch into adventure. The book’s structure—three parts titled Home, Exile, and Work—mirrors this shift from the local to the global, as the boys are swept from England to Rome and then to Persia.
A Voice Between Chronicle and Romance
Markham’s prose oscillates between dry historical exposition and melodramatic adventure. In the preface, he writes of “the coming of the Englishmen to England” with the detachment of a historian, listing dates and regions. Yet in the kidnapping episode, the language becomes urgent: “We are too late!” exclaims Porlor. “We must follow quickly to Rome.” The narrator often steps back to explain context—such as the fate of Symmachus’s widow—then plunges into dialogue and action. This dual register gives the book an uneven texture, as if Markham cannot decide whether he is writing a textbook or a boys’ own story.
Pace Shifts and the Geography of Action
The narrative pace is tied to geography. In the Home section, time moves slowly, with scenes of storytelling and daily life. Once the boys are kidnapped, the pace accelerates: they sail, scheme, and chase Mystacon across the Mediterranean. The excerpt from the rescue of Sivel shows a rapid sequence of deduction, preparation, and departure: “Their preparations were soon made. Next day the captain and crew were on board.” Yet Markham pauses for consultations and descriptions of Roman villas. These shifts can feel abrupt, as when a six-year gap is mentioned in a single sentence: “Six years had passed since the mortifying scene in the slave-market.”
Recurring Motifs of Captivity and Rescue
Kidnapping and rescue form the book’s central engine. The frontispiece shows Porlor and his companion “kidnapped by sea-thieves,” and later Mystacon kidnaps Sivel. The boys respond with a cry: “To the rescue! to the rescue!” The motif recurs in the chapter titles: “Kidnapped,” “In Bondage at Rome,” “The Rescue of Sivel.” Markham emphasizes the boys’ agency—they rack their brains, make plans, and fund their own voyages. Yet the narrative also relies on coincidences, such as Lilla catching sight of Mystacon in a crowd. This pattern of capture and pursuit drives the plot but can feel repetitive across the book’s 71,000 words.
Readers should expect a hybrid work: part historical primer on Anglo-Saxon England, part adventure serial with a young cast. Markham’s formal voice and digressions into background may slow the action, but the kidnapping plot provides momentum. The book rewards attention to its geographical sweep—from Yorkshire to Rome to Persia—and to the way Markham uses captivity to test his characters’ resourcefulness. Approach it as a period piece that reflects late-Victorian interests in empire, migration, and boyhood heroism.
Reading about those boys torn from Yorkshire and carried toward Rome stirred something old in me—my own childhood summers of hiding behind hedges, pretending the graveyard was Persia. I remember feeling that same quiet ache of displacement in There She Blows! Or, The Log of the Arethusa — Themes and Context, where the sea swallows home and leaves only horizon behind. Strange how distance makes memory glow warmer.
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