The Whirl: A Romance of Washington Society — Themes and Context

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Davis, Foxcroft, 1860-1916, Fisher, Harrison, 1875-1934 [Illustrator], Justice, Martin, 1869-1961 [Illustrator] Project Gutenberg 2014 Not confirmed
Washington (D.C.) -- Fiction; Socialites -- Fiction Readers of public-domain and historical texts
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Edition facts

Words 59,742
Reading time 260 min
Text sections 8

This digital edition of The Whirl: A Romance of Washington Society — Themes and Context is described by source-level measurements including 59,742 words, 4 hr 20 min estimated reading time, and 8 detected text sections.

The text analysis averages about 20.8 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Washington (D.C.) -- Fiction,” connecting these edition facts with the source record’s subject description.

Foxcroft Davis's 1909 novel follows Sir Percy Carlyon, a British diplomat in Washington, navigating ambition, romance, and moral compromise. The narrative shifts between brisk political maneuvering and tense private confrontations, with dialogue that reveals hidden debts and past sins.
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scarcely enjoyed an hour to himself. He had found the Embassy overwhelmed with affairs, about which his uncle, Lord Baudesert, coolly refused to bother himself, but which Sir Percy, as a practical man, felt obliged to take up and carry through. That day, only, had he, by hard and systematic work, caught up what was called by Lord Baudesert, with a grin, the "unfinished business" at the British Embassy, but which really meant the neglected business of a lazy, clever old diplomatist who never did to-day what he could put off until to-morrow.

Lord Baudesert had been many years at Washington, and had a thorough knowledge not only of the affairs of the American people, but of their temper, their prejudices and their passions. In an emergency his natural abilities, and a kind of superhuman adroitness which he possessed, together with the vast fund of knowledge that he had accumulated, but rarely used, made him a valuable person to the Foreign Office. However, as soon as the emergency passed Lord Baudesert returned to his usual occupation of studying the American newspapers and anything else which could add to the already vast stock of knowledge which he possessed, but rarely condescended to use.

The Embassy was presided over by Lord Baudesert’s widowed sister, Mrs. Vereker, an amiable old sheep of the early Victorian type. Then there were three lamb-like Vereker girls, Jane, Sarah and Isabella, all likewise early Victorian, who regarded their uncle as a combination of Bluebeard and Solomon, and altogether the most important and the most terrifying person on this planet. Lord Baudesert’s favourite instrument of torture to the ladies of his family was the threat to marry an American widow with billions of money. How this would have unfavourably affected her the excellent Mrs. Vereker could not have told to save her life--but the mere hint always gave her acute misery.

The secretaries of the Embassy were very well-meaning young men, who attended to their work as well as they knew how, but as Lord Baudesert seldom took the trouble to read a document, and would not sign his name to anything which he had not read, it was difficult to get business transacted. When Sir Percy Carlyon was getting his instructions from the Prime Minister concerning his post of First Secretary at Washington the Premier had remarked:

"Your uncle, you know, is the laziest man God ever made, but he is also one of the cleverest. No living Englishman knows as much about American affairs as Lord Baudesert, or has ever made himself so acceptable to the American people, but when he isn’t doing us the greatest service in the world, he lets everything go hang. We are sending you to Washington to get some work done. I hear you can bully Lord Baudesert in every particular."

"Except one," Sir Percy had replied. "Neither I, nor anybody else, nor the devil himself, could make Lord Baudesert work when he doesn’t want to."

Sir Percy, on this December afternoon in the woods, reviewed in his own mind his whole diplomatic career up to the point of that interview. His first beginnings had been as a minor civil servant on the Indian frontier twelve years before. It is not uncommon, however, for those clever youngsters who are sent out to India to govern, negotiate, threaten and subdue a vast and deceitful people to find themselves entrusted with responsibilities which might appal older representatives of the British Empire.

Far removed from Western civilisation, and out of the field of newspapers, young Sir Percy Carlyon was in effect ruler and lord of a million people, whose united word counted less with their English masters than one sentence from this sahib of twenty-six years of age. His post was on the Afghanistan frontier, where he had to circumvent Afghans and Russians and out-general all of them. The times were difficult, and in spite of young Carlyon’s great and even splendid gifts of insight, temper and diplomacy, he would hardly have succeeded in his work but for one man. This was General Talbott, who was in military command of the district, and an admirable type of the soldier-diplomatist. He had stood by Sir Percy with a vigour and generosity, and a fatherly kindness, which no man not an utter ingrate could ever forget. They had gone together through stormy and tragic days, and when the reports had reached the Indian Office it was Sir Percy to whom General Talbott gave the largest share of the credit, and even the glory, which had resulted from their joint efforts.

The novel opens with Sir Percy Carlyon striding through frozen December woods near Washington, a man who has just secured his career goal: First Secretary of the British Embassy, with a clear path to becoming Ambassador. The narrator describes him as a "great walker," physically weathered by service in India and the Balkans, yet inwardly stirred by a rare feeling of hope. This contrast between external composure and internal tension recurs throughout the excerpts, as Sir Percy navigates official duties and personal entanglements.

The prose moves briskly through exposition—his appointment, the Atlantic crossing, the neglected embassy business—then slows for moments of introspection, such as when he leans against a live oak and sees a "faint, rosy line" on the horizon as a promise. This rhythm of rapid summary and deliberate pause shapes the reader's experience of a man caught between duty and desire.

A Diplomat's Double Life

The excerpts show Sir Percy as a man of action and restraint. He works "hard and systematic" to clear the embassy's backlog, yet his private conversations reveal a different register. In a tense exchange with Mrs. Vernon, his silence becomes a weapon: "Sir Percy never contradicted anything she said." The narrator notes his refusal to adopt "the specious view that the law has no variation for men and women," yet he remains "obstinately silent" rather than rebuke her. This duality—efficient public servant, guarded private interlocutor—suggests a character who compartmentalizes his life.

Mrs. Vernon, by contrast, speaks in passionate, unfinished sentences. Her confession that she marries Senator March for money, but also to ease her father's worries, reveals a calculating yet vulnerable mind. The dialogue crackles with unspoken history: "the past is now a closed book between us," she says, only to immediately contradict herself. The narrator describes her feelings as "wild, unreasoning passion, mingled with revenge, regret and chagrin," a phrase that captures the emotional volatility beneath Washington's polished surface.

The Weight of Unspoken Words

Davis uses silence and interruption to build tension. When General Talbott enters after exactly "ten minutes," he cuts off a charged conversation, leaving threats and confessions hanging. Mrs. Vernon's warning—"if I am unjustly treated there will be a catastrophe"—is left unresolved, its weight carried forward. The narrator often steps back, letting dialogue and gesture imply more than is stated.

Recurring imagery reinforces this sense of hidden depths. The "red stain" that "sink[s] through and through" the pages of life, the "abyss" Mrs. Vernon longs to throw herself into, and Sir Percy's "brightening eyes" at a distant promise all suggest characters straining against invisible boundaries. The setting itself—the "stark and leafless woods," the "dun-coloured" sky—mirrors their emotional landscape: bare, cold, yet shot through with fleeting color.

Pace as a Narrative Tool

The novel's pacing shifts markedly between scenes. The opening chapter moves at a brisk, almost reportorial clip, covering Sir Percy's appointment, travel, and first weeks in office in a few paragraphs. Then, in the drawing-room exchanges, time slows: a single conversation stretches over pages, with each pause and glance weighted. This alternation creates a rhythm that mirrors the protagonist's own oscillation between busy diplomacy and private reflection.

Davis also varies sentence length to control tempo. Short, declarative sentences—"He stopped in the silent heart of the woods"—give way to longer, more sinuous ones that trace a character's thoughts. In Mrs. Vernon's speeches, dashes and ellipses fragment her words, conveying agitation. The effect is a narrative that feels both controlled and volatile, much like the society it depicts.

Readers attentive to voice will notice how Davis uses indirect discourse to blur the line between narrator and character, especially in Sir Percy's scenes. The novel rewards close attention to what is left unsaid—the unfinished sentences, the abrupt exits, the promises that hang in the air. These gaps, rather than the plotted events, may prove the most revealing guide to the characters' true motives.

That old Washington novel kept circling back to me—the way ambition quietly stains a person’s choices. It reminded me of a story I once stumbled into, one where a hidden cove holds secrets the way that city held its whispers. The Smuggler's Cave — Story, Setting & Ideas lingers similarly, like a half-remembered conversation after the room goes dark.

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